This blog is part of the requirements of the EMDT program at Full Sail University.
Sunday, October 24, 2010
Saturday, October 23, 2010
PLE6_Flash
The following is an animation that I created using Adobe Flash. I imported to the stage some clip art that I received from www.clipart.com. From there, I simply used the timeline and motion editor to add the “bounce in” ease to the soccer ball as it bounces across the animation. This is my first animation, which was rather simple.
PLE5_Flash
This first photo demonstrates the magic wand tool. The magic wand tool selects any color that is continuous and highlights the selection for edit. I simply waited moved the pedals just a little off their original position. This tool is probably the most efficient if solid colors are continuous throughout the image.
This second photo shows me using the polygon tool. This tool allows you to “lasso” the particular part of the image that you want to highlight by creating small segments. This tool provides you with quite a bit of control; although obviously, the smaller the segments the more accurate the selection.
This third photo illustrates how the lasso tool itself works. This tool is perhaps the least effective if you are wanting an exact selection simply because it is one continuous “lasso” and is based off of how steady your movement is on the mouse pad. Regardless, this tool is effective for a quick “lasso” or selection. By watching the tutorials on www.lynda.com, I have learned extensively how to use these three tools and I know have a good understanding of how they work in Flash.
PLE4_Flash
This week, I decided to tackle Flash, or at least the beginning portion of the tutorials on www.lynda.com. I focused on Google docs for my first practical learning experience last week based on the fact that we will be using this platform extensively for next month’s course. In the same manner, I wanted to become familiar with Flash because we will be using it in month six.
At this point, I have worked through the first few chapters of the tutorials understanding how to create and draw basic shapes, utilize all of the features on the properties toolbar and tools toolbar, and how layers work and can be grouped and renamed. Here are a few pictures of the tutorials I have watched and a screenshot of me working with the exercise files.
Tuesday, October 19, 2010
W4_Reading
Integrating Music and Children’s Literature
Calogero, J. (2002). Integrating Music and Children’s Literature. Music Educators Journal, 88(5), 23. Retrieved from Academic Search Premier database.
This week I continued with my reading by selecting four articles specifically related to this music and literacy connection. The first article was entitled, “Integrating Music and Children’s Literature” written by Joanna Calogero, an arts educator in southern New York. Calogero makes it rather clear from the onset that music and literature plays an integral role in helping students learn different ways that ideas and emotions can be expressed creatively. In fact, she goes as far as to say that music helps in allowing students to “make sense of their world and their place in it.” She shares that teachers, rather than isolating each subject, are working to cross disciplines so that connections are made. It is quoted, “Language arts, however, that forms the catalyst binding all the content areas.”
For any teacher, this is a task that requires at least two important parts. First, it requires organization. Calogero suggests going through all of the available music and literature resources and organizing them by themes. It seems that the most practical and efficient way for this connection to take place is by using a thematic approach.
To help with this organization, Calogero offers eight musical categories to organize books.
1. Books that are songs (e.g., “Yankee Doodle” and the “Eensy Weensy Spider”)
2. Songbooks
3. Books in which the important of music is the theme
4. Books, either fictional or nonfictional, about composers or musicians
5. Books, either fictional or nonfictional, about instruments or other musical concepts
6. Books with a natural rhythm, including poetry and picture books with strong patterns or rhythmic sense
7. Books in which aspects of music are included, but are not primary to the story
Children’s Literature in the Music Classroom: Finding the Music Within
Gauthier, D. (2005). Children's Literature in the Music Classroom: Finding the Music Within. Music Educators Journal, 91(3), 51-56. Retrieved from Academic Search Premier database.
The second article was by Delores Gauthier, an associate professor of music education at Western Michigan University entitled, “Children’s Literature in the music Classroom: Finding the Music Within.” Gauthier clearly pinpoints the value of reading. She says, “Reading to students aids in the understanding of story structure, broadens familiarity with different styles of books, and helps to increase vocabulary. Book language is often different from spoken language, and reading allows students to hear different ways of expressing thoughts.” She later parallels this with how books help the music curriculum, as well. She writes, “Books can help students understand musical structure, become aware of different styles of music, and develop a musical vocabulary and musical skills.”
With this said, Gauthier cautions that it is important to find just the right book. To continue this thought, she offers three suggestions. First, she says that selecting the right book is all about “finding the music within.” The idea here is that some books may not necessarily be written to help students understand musical concepts, but they might be rhythmic nature or could be easily set to a melody. Second, remain open minded about all kinds of books. Third, a book may be useful at various age levels.
The rest of the article focused on various books and their connection with various musical concepts including Barnyard Banter by Denise Fleming, Do You See A Mouse? by Bernard Waber and others.
Using Music to Support the Literacy Development of Young English Language Learners
Paquette, K., & Rieg, S. (2008). Using Music to Support the Literacy Development of Young English Language Learners. Early Childhood Education Journal, 36(3), 227-232. doi:10.1007/s10643-008-0277-9.
The third article by Paquette and Rieg focuses on how music and literacy help English language learners. The article opens with a story that concludes with this statement, “Children’s music is not always like adult music.” This statement is very powerful and thought provoking, to say the least. The point is this—despite a teacher’s level of expertise or musical training every teacher needs to foster creativity through music within his or her classroom.
The authors mention that the first experiences for a child with patterned text usually occur through songs, chants and rhymes. Many children’s songs are repetitive in nature, which obviously allows students the opportunity to hear words over and over again.
It is suggested that songs can be used “to teach a variety of language skills, such as sentence patterns, vocabulary, pronunciation, rhythm, and parts of speech. Prosodic features of the language—stress, rhythm, and intonation—can be presented through song as well.”
In regards to fluency, “paired or partner reading, echo reading, choral reading and phrasing are four instruction strategies often used to improve reading fluency.” These four strategies are connected with music and Paquette and Rieg make it rather clear how they can be implemented. This was perhaps the most beneficial portion for this article seeing that my action research is directed at fluency.
Enhancing learning through multiple intelligences.
Özdemir, P., Güneysu, S., & Tekkaya, C. (2006). Enhancing learning through multiple intelligences. Journal of Biological Education, 40(2), 74-78. Retrieved from Academic Search Premier database.
The final article expands the idea of music interventions to all of Gardner’s multiple intelligences. In fact, this article shares a study conducted with two fourth grade classes where one was instructed utilizing all of the multiple intelligences and the other focused on more traditional methods.
Gardner suggests that the verbal-linguistic and logical-mathematical intelligences seem to have dominated the traditional teaching. However, the other six intelligences, of which music is one, are normally overlooked.
One of the most intriguing aspects of this article was how the dominant intelligences for students seemed to change throughout their school years. The authors give an in-depth look at which intelligences were the highest at the elementary, middle and high school years.
This article has helped me think through the organization and set-up of my own study and how the data will be collected, as well. Needless to say, this week’s reading has been extremely helpful.
All visuals contained in this blog were obtained from www.flickr.com/creativecommons/ with Attribution License in Creative Commons.
Sunday, October 17, 2010
BP12_OMM_Skype
Saturday, October 16, 2010
W3_Reading
The Link Between Music and Literacy
Chappell, J. (2008). The Link Between Music and Literacy. Teaching Music, 15(5), 46. Retrieved from Academic Search Premier database.
The connection between music and literacy is rather strong, according to Chappell. Educators are working to establish this link and have highlighted some of the parallels between the two disciplines. Dee Hansen, author of “The Music and Literacy Connection, as quoted by Chappell says, “Literacy means to read and write. But beyond that, it’s comprehending symbols and interpreting visual and auditory images, not limited to reading words.” He continues by offering the similarities, “Most basic skills used in text reading, or decoding—the breaking of the visual code of symbols into sounds—find parallels in musical reading. Instrumentalists and vocalists read music symbols. In choral music, one must additionally read text or lyrics as they correspond to the musical symbols.”
There are stages of learning, each of which has elements of both reading and music:
- Phonological awareness (the ability to discriminate between sounds, like high vs. low or loud vs. soft)
- Phonemic awareness (understanding the smallest units of language and sound)
- Sight identification (recognizing high-utility words or common music symbols by glancing at them)
- Orthographic awareness (the use of letters and other symbols in a writing system or musical language)
- Cueing systems awareness (the context of the phrases or sentences and musical setting
- Fluency (clear expression of ideas, effortless music performance)
Structured English Immersion in the Music Classroom: Music Instruction for Crossing Borders
Cooper, S., & Grimm-Anderson, S. (2007). Structured English Immersion (SEI) in the Music Classroom: Music Instruction for Crossing Borders. General Music Today, 20(2), 20-24. Retrieved from Academic Search Premier database.
This article dealt strictly with students whose primary language is not English; however, many of the same elements used to teach these students carry over to the learning we want to take place in our literacy classes.
The question that Cooper and Grimm-Anderson answer is, “How do music teachers and other arts specialists address this dilemma [educating those who struggling with the English language]?”
The following are some key points of advice from these authors:
- Incorporate visuals
- Students will first work to understand what is being said before they will acquire the ability to speak the new language
- Create a low-risk environment
- Incorporate word walls and living walls
- Understand that the first step to learning a language is listening
- Utilize finger plays
- Use pictures to accompany phrases
- Make sure to allow ample wait time
- Review key concepts and vocabulary consistently
Making Music, Reaching Readers
D'Agrosa, E. (2008). Making Music, Reaching Readers. General Music Today, 21(2), 6-10. Retrieved from Academic Search Premier database.
The arts enhance learning. This is the simply the premise of D’Agrosa’s article. Eric Jensen is quoted by D’Agrosa as saying, The arts “enhance and motivate other learning. The systems they nourish, which include our integrated sensory, attentional, cognitive, emotional, and other motor capacities, are, in fact, the driving forces behind all other learning.” So how does this work? D’Agrosa argues that it can only happen if the classroom educator and the music educator collaborate intentionally. The following are some suggestions for this to work:
- Give time, energy and creativity
- Understand the vocabulary of each discipline
- Learn how the skills of each discipline are connected
- Develop an intentional plan of delivery for each of the skills
Components of Reading & their Musical Connections
- Phonological awareness is “a multilevel skill of breaking down words into smaller units.” In music, students could identify and create oral rhymes, with one such example being, “Twinkle, twinkle little star.”
- Awareness of Phonemes is understanding the smallest units of sound. The music teacher can aid in this by looking at nonsense sounds and vocal exploration activities.
- Syllabification is obviously understanding that words are broken down into syllables, which is taught in the music classroom through the reading of rhythms. An example that is suggested is one of Eric Carle’s books called, “Today is Monday.” For instance, the reading teacher could read the book and have students brainstorm foods that could be eaten on any day of the week. Then, the music teacher could take those words and create a rhyme before having the students perform them with movement and non-pitched instruments.
- Fluency is simply the ability to read a text correctly and quickly. Also, this normally includes reading it effortlessly and with expression. Reading and singing through “Miss Mary Mack” with a sense of fluidity would be a connection for the music teacher.
- Vocabulary refers to words we know to communicate. The intentional connection is to demonstrate vocabulary knowledge through active participation.
- Comprehension is simply understanding what is read. For the music teacher, create context and help students construct meaning for the songs that they sing.
Literacy and Art in the Music Class
Kenney, S. (2009). Literacy and Art in the Music Class. General Music Today, 22(3), 25-28. Retrieved from Academic Search Premier database.
In this article, the author had a chance to visit some elementary music schools in Moscow, Russia. There were two enlightening strategies that these schools were utilizing. First, there was a strong music and art connection. In fact, time was given to students to illustrate songs that they learned in music class or masterpieces were paired up with a song. For example, “Clap your Hands,” was linked with Van Gogh’s painting, “Two Hands.” The second discovery was what they called a “book basket.” Each student was given a blank book (simply an 8 ½ by 11 inch paper folded into 8 rectangles) where they could create a picture for each phrase of the song. Further, the words of the song were printed in the book. This allowed the students to connect music with their printed word and illustrations.
All visuals contained in this blog were obtained from www.flickr.com/creativecommons/ with Attribution License in Creative Commons
PLE3_Google Docs
My final post for this practical experience includes a Google form. I wanted to experiment with creating a Google form and collecting the data into an organized spreadsheet. I always want to make my studies applicable to me and so I created a form about the implementation of the Response-to-Intervention that began this fall at my elementary school. I wanted to get some feedback from the classroom teachers about how it was going and what the most challenging part of it has been up to this point. Also, I wanted to collect some information regarding the collaboration aspect, all of which are elements of my action research. I have sent out the email and am awaiting the responses. I am really excited about the results that I will receive and how it will help direct me in my research. I also learned about to embed a form into a site and how to make it a live page. If you would like to see the form please follow the link.
By the way, here is my certificate of completion of the Google Docs training course on www.lynda.com.
PLE2_Google Docs
Also, we compile a list of students who are less fortunate because during the winter months churches and nursing homes in the area buy for these students. Most of the time, the secretary and I are the ones working to put this together. Once again, I mentioned that this would be a great time to use Google docs. In fact, she was convinced that she is creating a gmail account and I have already uploaded the document to my account. The following is a screenshot of what we have started.
PLE1_Google Docs
With this said, I will be watching the entire course of Google Docs from www.lynda.com so that I can be familiar with all of the features.
BP9_Skype
The third Web 2.0 tool that I would like to share is Skype. Skype is simply a software that allows individuals to make free video and voice calls, send instant messages and share files with other Skype users. This software was created in 2003 and has grown in popularity ever since. Skype connects colleagues working together saving them time and money, as well as connecting friends and family regardless of where they are in the world.
Skype is a tool that I was somewhat familiar with prior to creating this blog, but wanted to become comfortable with the software because of an activity that I will be doing at school. I am currently part of a committee for our Veteran’s Day assembly that we have at our elementary school each year. In fact, I work with all of our fifth grade students in preparing three vocal pieces for this assembly. To be honest, this assembly is a huge deal to our school and community. We have hundreds of veterans attend this event and we call in a speaker to come and share. This year we are planning on having Terry Johnson, candidate for state representative for Ohio. As we sat down to prepare for this assembly, the thought came to me about possibly using Skype to connect with some active service men and women and allowing them to watch our program and giving our students a chance to get to see them live in Iraq and Afghanistan. As I continued with this, I thought it would be great to make it a surprise for one of our students to find out some family members who were overseas. With all this said, we have in place the information from one of our students about her immediate family that is in Iraq and we are in the process of working with the local recruiter in setting this up for us this year.
I have contacted our technology coordinator for the district and she has agreed on getting us Internet access in the gymnasium and setting up a Skype account for the school. Needless to say, I wanted to become a little more comfortable with this software as I prepare for this awesome opportunity.
If you are interested in using Skype, you first need to go to www.skype.com. When you arrive on the site, you should click on “Get Skype” and click for Mac. This window will allow you to download the software and will walk you through the set-up. Afterwards, you will need to create an account and sign-in. Then, you will open up your Skype window that allows you to search contacts and add individuals as friends. To me, it is very similar to the iChat window. For me, I was able to find some missionary friends of my wife and I in the Philippines and others in Radford, Virginia within seconds.
Please note that Skype to Skype calls are free, while Skype to landlines and mobiles are 1.9 cents per minute if you pay as you go or .9 cents per minute if you pay monthly.
One of the great features is that up to nine different people can communicate together in a video call allowing you to collaborate with a large group anywhere.
I will later post some pictures and share my experience with Skype during the Veteran’s Day assembly afterwards. Stay tuned…
Sunday, October 10, 2010
W2_Reading
Tanner, D. (2001). Music and the special learner. Education, (101)1. Retrieved from Academic Search Complete.
Wanzek, J. & Vaughn, S. (2008). Response to varying amounts of time in reading intervention for students with low response to intervention. Journal of Learning Disabilities, 41(2), 126-142. Retrieved September 20, 2010 from Academic Search Complete.
Thursday, October 7, 2010
Tuesday, October 5, 2010
BP5_Crocodoc
Monday, October 4, 2010
BP4_ToonDoo
Sunday, October 3, 2010
W1_Reading
Saturday, October 2, 2010
BP_Diigo Group
Thursday, September 30, 2010
BP1_Google Reader
The first feed I chose was Education Next. I came across this blog when searching through Google reader and found it to be rather insightful. The bloggers of this feed include the editors of Education Next magazine, which is a quarterly journal that discusses opinions and research regarding education policy. The Hoover Institution at Stanford University publishes the magazine. With this said, the sources seemed rather credible and informative. This commentary will be helpful in keeping me up to date on the latest news in education.